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Blender 3.3 LTS Released: Check Out These Standout Features


It's hard to believe that it's been less than a year since Blender's 3.0 release with the incredible pace Blender has been developing over the past couple of years. That release marked a symbolic and practical milestone, ushering in a new era of open-source 3D content creation. Today marks another milestone: the first LTS version of Blender's 3.X series has been released: Blender 3.3 LTS!

With three "Next Gen" releases under their belt, the Blender developers seem to have settled into their new development groove, once more offering an incredible release balancing bombastic new features, long-standing paper-cut fixes, and further stability and usability improvements. This is also an LTS release, which will be supported for 2 years at least with bug fixes, making it a perfect candidate for studios with long-haul producitons to adopt.

Here is a look at the key features (and then some) that stood out to us in this newest release, but it's highly recommended to check out the release notes and the release overview for a full picture of all the awesome new features available now at our fingertips!

1. Grease Pencil and Line Art Improvements

Grease Pencil continues its invasion of the world's 2D pipelines, with its latest conquest being the renowned SPA studios, now adopting GP for its latest feature film. This doesn't mean that the Grease Pencil development team is sitting on their laurels and enjoying the success, far from it, with Grease Pencil's toolset growing ever stronger with this release:

2D 2Furious

The Line Art modifier continues its road to maturity, getting massive performance boosts thanks to 8x faster new object loading code and new multithread quad-tree building.

Vastly improved Line Art loading and calculation times

A line in the sand

On top of performance improvements, Line Art gets a ton of new functionality when it comes to intersection and light/shadow calculations:

  • New Shadow and Light Contour calculation. Now LineArt is able to calculate accurate cast shadow and light/shadow separation lines given a light source reference object.
  • Filtering feature lines from lit/shaded regions. This image shows the example of selecting marked edges from only lit regions.
  • Enclosed Shape option with lit/shaded region selection, able to give accurate 2d shape around light/shadow areas. The second image demonstrates this effect.
  • New Silhouette functionality. Draw silhouettes around selected collection, or around individual objects in that collection. LineArt is also able to identify intersecting and overlapping silhouette geometries.
  • Intersection priority functionality. In the image, the blue sphere has higher intersection priority, and the intersection line is selected together with the blue sphere to style with it.

2. New Hair System

The building blocks of the new hair system is in place! Combining a new curve sculpt mode with the power of Geometry Nodes, the new hair system promises some incredible versatility and power, and it's only getting better from here on out!

Project Heist's lead character was groomed with the new Hair System

The new hair system provides the interactivity of a customized sculpt mode with the generative power of geometry nodes, which when combined with the real-time renderer Eevee unlocks a new level of interactivity for grooming and all kinds of grooming styles.


3. Geometry Nodes: Volume and Shortest Path Node

Geometry nodes is more featured fill than ever and keeps gaining functionality release after release, with this one being no exception. Along the dozen or so of new nodes and performance improvements, three nodes stand out for me as enablers of new workflows.

The Cube

The new Volume Cube Primitive unlocks all kinds of mesh deformation and manipulation possibilities within geometry nodes, being particularly well suited for use with 3D textures, fractals, and more.

Lights (and nodes) will guide you home

The shortest path node is perfect for simulating interactive or "smart" behavior, and is great for procedurally generating all kinds of biological structures and phenomena.

UV Never Seen This Before

At long last, UV Nodes are available in Geometry Nodes allowing us to procedurally deal with generating and packing UVS right from the node tree!

But wait: there’s more...

On top of adding exciting new features, this release also has hundreds of massive speed and quality of life improvements strewn all over Blender. Here's a small sample of them:

New Image from Plane Marker Operator

This allows creating of anunwarped texture from a billboard from footage. The intent is to allow this image to be touched up and re-projected back to the footage with the modifications applied.The video below shows the magic in action:

Even More Performance Improvements for I/O

Blender's Optimizer in Chief Aras Pranckevicius is taking no hostages, continuing on his I/O optimizing spree which he started tackling a few months ago (and which ultimately saw the OBJ exporters and importers getting orders of magnitude faster), this time improving the performance of importing USD, Alembic, OBJ files with massive amounts of objects. Importing a production USD scene with 260 thousand objects went from 3.5 hours down to 1.5 minutes.

Clearer and Cleaner Library Overrides

The main focus of this release is to improve the usability of Library Overrides, in particular the UI/UX. Library overrides now have their own sub-menu, with only three main operations (make, reset and clear). This is exposed consistently in all three places where the user can control library overrides (the Outliner, the 3D Viewport for objects, and the ID selection widget in e.g. the Properties editor).


Check out the official 3.3 overview over on the website, Pablo Vazquez always goes above and beyond with the design to show what the latest Blender has to offer. Now, time to download Blender 3.3 and put all of these new features to the test. Happy Blending!

About the Author

Mario Hawat

Mario Hawat is a Lebanese 3D artist, writer, and musician currently based in Paris. He is a generalist with a special focus on environments, procedural and generative artworks. Open to freelance work.


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